![]() Seriously, you usually only see a discography this big attributed to one name when it’s a jazz artist from the ’60s or something, when they released multiple LPs in a year with ease. In the aughts, he pervaded the music tastes of me and many of my friends one way or another, whether with the progressive and psyched-out The Mars Volta, post-hardcore laureates At The Drive-In, or maybe another project from his ever-growing solo career. For those that aren’t as aware though, ORL was integral for a lot of the music of our generation. ![]() I imagine that Omar Rodríguez-López is someone who doesn’t need much of an intro he may, in fact, be the sole reason you clicked on this review.
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